See the video of the private view where Heidi Wigmore and Paul Manners introduce the show:

“as the Crows fly” exhibition opened yesterday at TAP. It celebrates 10 years of existence of Synchro Studios in Leigh on Sea.

The main room at TAP has been transformed to create an artist’ studio atmosphere with works by various artists covering the walls floor to ceiling. To enter the second room, the visitors walk through a passage made out of plain wooden shelves. Have you ever wondered what objects fill artists studios? Well, these shelves give out some of that secret: a wine bottle, animal skull, diary, paint, works in progress, photographs, painted pegs and other paraphenalia - anything that catches the artist’s mind and triggers an inspiration.

Synchro Studios is an independent and self-funded organisation. It has provided space for over 40 artists in the last decade including Bob and Roberta Smith, James Windsor, Alison Moyet, Germaine Greer and Anthony Gormley.

Open until 6 November, Thu-Fri 10-2, Sat-Sun 10-4
TAP, Old Water Works, North Road, Southend on Sea, SS0 7AB

http://www.coexist.org.uk/

 

Erik Blinderman @ FOCAL POINT GALLERY

Author, admin.
09.09.09
 

Erik Blinderman ‘Sounds of the Sea and Shops’

‘Sounds of the Sea and Shops’ will be the US-born artist Erik Blinderman’s first solo exhibition in the UK. Working predominantly with film and photography, the artist has developed a practice that shows a concern for the dislocation of time and place through unexpected narrative structures. Blinderman’s interest in Southend-on-Sea has also grown through regular visits during the last three years, and he has developed a body of work around the South Essex town that connects to recurring themes around duality and parallel histories. Interested in the construct of twin-towns, and the fact that Southend is now culturally connected to the Polish seaside resort of Sopot - part of a triad of conurbations that include Gdansk and Gdynia; a stretch of coastline called the ‘Tri-City’ - the artist provides a starting point for a rumination on community activism, world history, the transition since the break up of the Eastern Bloc from Communism to liberal democracy, together with its effects on culture and economics.

Like many other small British towns, Southend’s second most spoken language is now Polish, yet Blinderman’s research has led to other less-obvious connections between the two places. Being the principal municipality along the Thames Gateway, it has had a long history of industrialised printing for both the British and international economy. After speaking with a former local printer about his own involvement with an East London press, Blinderman learnt that the Polish labour movement Solidarity - a name synonymous with the democratic revolution in Eastern Europe twenty years ago - produced printed matter by using many South Essex presses, as a result of the continual political suppression by the prevailing Polish Communist government of the 1980s. Through its focus on displaced production, Blinderman’s project becomes relevant to this hidden historical and cultural link, as well as the contemporary super-abundance of free newspapers, which by contrast, is grounded in pure advertising, and lacks any obvious political agenda.

Open: Monday to Friday 9-7pm & Saturday 9-5pm

Focal Point Gallery / Southend Central Library, Victoria Avenue, Southend-on-Sea, Essex SS2 6EX
Tel: +44 (0)1702 534108

http://www.focalpoint.org.uk

 

TAP LAUNCH PARTY - 10 September 6-9pm

Author, admin.
09.09.09
 

Coexist Arts and Metal are working in partnership with Essex and Suffolk Water to transform an old water works building into a Temporary Arts Project Space (TAP).

TAP LAUNCH PARTY - 10 September 6-9pm

- Coexist Gallery present COME TOGETHER - a group exhibition of works by:

Sally Chinea, Anna Lukala, Mark Evans, Rob Crosse, Lydia Hardwick Phillingworth, Laura Keeble, Chris Lang, Emma Emmerton, Amy McKenny, Clare Lynn, Madelaine Murphy, Sam Zealey, Jon Kipps, David Watkins and Andrew Brookfield

- The White Bus present THE WHITE BUS a rare screening of LINDSAY ANDERSON’S 1967 film 

(46min, starring Anthony Hopkins, Arthur Lowe)

The White Bus have a strong connection with the Lindsay Anderson Memorial Foundation and it seemed entirely appropriate to ‘adopt’ one of the legendary director’s films. 
This is Lindsay Anderson at his most irascible and idiosyncratic. Years earlier, he had written that the overall realism of Hitchcock’s films made it all the more thrilling when the unexpected occurred; this short story, by Shelagh (
A Taste of Honey) Delaney, provided him with the opportunity to take this concept a stage further, and move freely between the real and the surreal worlds.
London: An unnamed girl is working late in a deserted typing pool. She abruptly leaves and takes a train north, to Salford. She boards a white “See Your City” tour bus, presided over by the Lord Mayor, which visits a foundry and a natural history museum. She witnesses a civil defence demonstration then decides to have fish and chips… If this sounds strange, well, no synopsis can do justice to this wholly original film. The director takes the opportunity to strike out at many of his favourite targets – including self-important bureaucrats, town planning and the state of the nation – each time hitting home with unerring accuracy. This is truly exceptional filmmaking, well ahead of its time.

The White Bus is also screened on Saturday 12 September, 11-4pm together with
ABOUT THE WHITE BUS
60mins, 1968

John Fletcher, sound editor on The White Bus, captures the anarchic spirit surrounding the shooting of the film. As much a profile of its uncompromising director as the story of this individual film, this is a remarkable document.

- LEVEL 4 MAGAZINE present Live Music from IS THAT THEM plus support

- FREE DROP-IN WORKSHOP 3-5pm:
Hand-painted eco bags

TAP / Old Water Works, North Road, Southend on Sea, Essex, SS0 7AB 

Open Thu-Fri 10-2pm & Sat-Sun 10-4pm

info@temporaryartsproject.org.uk

www.coexist.org.uk